My curiosities are not your curios
Yasmin Nurming-Por
Awarded the 5th annual Middlebrook Prize for Young Canadian Curators, Yasmin Nurming-Por’s exhibition My curiosities are not your curios examines the idea of collections and their institutional and colonial histories through the work of contemporary artists for whom the act of collecting is both a creative and critical practice. Within the wider context of Canada’s sesquicentennial and re-examinations of accepted narratives of nationhood, the exhibition raises important questions about how such knowledge is established as well as how artistic practice can produce vital new insight and imagination.
Bringing together cross-generational artists – Sara Cwynar (New York, NY); Hannah Doerksen (Calgary, AB); Deborah Edmeades (New York, NY/ Vancouver, BC); Faye HeavyShield (Blood Reserve, Alberta); and Lucy Tasseor Tutsweetok (d. 2012, Arviat, Nunavut) – each offers a contemporary perspective on the traditional “cabinet of curiosities,” complicating historical approaches to the use and display of objects. With collections that activate history, culture, and the land itself in their explorations of the politics of display, the artists highlight how these systems – and “curiosities” themselves – can also be powerful sources of alternative narratives. At once deeply personal and inherently political, the exhibition draws attention to collecting as a method of making, proposing strategies to destabilize and create new forms of knowledge.
Presented by the Art Gallery of Guelph, the Middlebrook Prize for Young Canadian Curators is made possible through the support of the Centre Wellington Community Foundation’s Middlebrook Social Innovation Fund, The Guelph Community Foundation: Musagetes Fund, and through private donations.
About the curator
Yasmin Nurming-Por
Based in Banff, Alberta, she holds a B.A. Honours in Art History from the University of British Columbia (2011) and a M.A. in Art History from the University of Toronto (2013). Her recent curatorial projects include: ARCTICNOISE (2015-2016), At Sea (2015), and Blind White (2015) and her writing has appeared in Drain Magazine, C Magazine, Inuit Art Quarterly, esse, and thisistomorrow. Nurming-Por is currently engaged in the Curatorial Research Practicum at the Walter Phillips Gallery, Banff Centre for Arts and Creativity.
Artists
Sara Cwynar
Hannah Doerksen
Deborah Edmeades
Faye HeavyShield
Lucy Tasseor Tutsweetok
View More Exhibitions
exhibition
Contemporary Indigenous Artists at AGG
January 16.2025 / May 4.2025
exhibition
September 12.2024 / May 4.2025
Juxtaposing Susan Mogul’s 1997 video with a collection of quillboxes, this exhibition unifies both forms of expression through themes of women’s identity, family, relationships, and the quest for home.
exhibition
September 12.2024 / January 5.2025
Some kind of we brings together works that approach t4t sensibilities, emphasizing trans relationality, self-representation, cross-generational inheritance, desire, and love.
exhibition
September 12.2024 / January 5.2025
Eternal Transcendent highlights a selection of photographic works by Robert Flack that convey his reverence for the more-than-corporeal and a yearning for healing in light of the AIDS epidemic.
exhibition
September 5.2024 / May 4.2025
In Entrelazados, Guatemalan-Mexican-American artist Justin Favela continues his exploration of notions of identity, place, and authenticity through his distinct remixes of popular culture and Latinx experience.
exhibition
Paul Nadeau
July 18.2024 / August 25.2024
Paul Nadeau’s paintings explore Canadian eco-tourism and resource extraction that contributes to the settler-colonial view of Canadian wilderness.
exhibition
Richard Bedwash
June 13.2024 / August 25.2024
Explore the vivid, symbol-rich images of Anishinaabe artist Richard Bedwash that connects his work, his life, and the cultural landscapes of Guelph.
exhibition
May 30.2024 / July 10.2024
The work of Catherine Chan delves into human entanglements with the more-than-human using rocks and other materials of geology to explore the intersection of deep time with more fleeting experiences.