![An image that shows the moon inside of a black box.](https://artgalleryofguelph.ca/wp-content/uploads/2022/12/epistemologiesofthemoon-header.jpg)
epistemologies of the moon
Lauren Fournier
Awarded the 6th annual Middlebrook Prize for Young Canadian Curators, Lauren Fournier’s exhibition epistemologies of the moon engages with the symbolism and imagery of the moon as a historically feminine and, more recently, feminist symbol, opening it up to new meanings and valences in the transnational 21st century. The exhibition emerges from Fournier’s curatorial research around land and place, exploring the dynamics of settler-colonialism and decolonization through mythology, mysticism, ritual, and spirituality. The project includes work by emerging and mid-career artists whose practices are indebted to ideas around the politics, aesthetics, and ethics of feminism today.
Image detail: Gillian Dykeman, Moon, 2016, single-channel video with sound, 2:23 mins [Photo: Jesse Boles]
![](https://artgalleryofguelph.ca/wp-content/uploads/2022/09/Middlebrook_Social_Innovation_Logo-300x123-1.png)
![](https://artgalleryofguelph.ca/wp-content/uploads/2022/09/download.jpg)
Presented by the Art Gallery of Guelph, the Middlebrook Prize for Young Canadian Curators is made possible through the support of the Centre Wellington Community Foundation’s Middlebrook Social Innovation Fund, The Guelph Community Foundation: Musagetes Fund, and through private donations.
About the curator
Lauren Fournier
Lauren Fournier is a curator, writer, artist, and scholar of experimental feminist art, literary, and theoretical practices. She works across film, video, performance, sound, music composition, and experimental writing to create cross-disciplinary work. Based in Toronto, Fournier is a PhD candidate in the Department of English at York University where her research is grounded in the intersections of art history, philosophy, literature, gender and sexuality studies, and contemporary art. Fournier holds a BA in Fine Arts from the University of Regina (2010) and an MA in English from Simon Fraser University (2012). She has worked as a frontline mental health and harm reduction worker, and she is actively engaged in bridging social work with her academic and artistic practices. Her commitment to mental health, class and racial justice, trauma, and addictions advocacy shapes her work.
![A black and white photo of Lauren Fournier, who has short black hair.](https://artgalleryofguelph.ca/wp-content/uploads/2022/10/LaurenFournier_Headshot-square-scaled.jpg)
Artists
Chief Lady Bird
Katherine Boyer
Gillian Dykeman
Maggie Groat
Rekha Lauren Ramachandran
Zoë Schneider
Yerbamala Collective
View More Exhibitions
![a black and white photo of a woman applying lip liner with a compact mirror](https://artgalleryofguelph.ca/wp-content/uploads/2024/07/dyrl-web-header-300x169.png)
exhibition
September 12.2024 / December 15.2024
Juxtaposing Susan Mogul’s 1997 video with a collection of quillboxes, this exhibition unifies both forms of expression through themes of women’s identity, family, relationships, and the quest for home.
![a collage showing a coniferous tree in a hilly landscape, with an outline of an airplane in the blue sky, a red drawing of a tree attached to the tree trunk, and a framed painting of a farm in a valley in the bottom left corner](https://artgalleryofguelph.ca/wp-content/uploads/2024/06/nadeau-1x-300x169.jpg)
exhibition
Paul Nadeau
July 18.2024 / August 25.2024
Paul Nadeau’s paintings explore Canadian eco-tourism and resource extraction that contributes to the settler-colonial view of Canadian wilderness.
![a painting in the Woodlands style of a flying loon decorated with geometric patterns, connected by wavy black lines to an orange circle](https://artgalleryofguelph.ca/wp-content/uploads/2024/05/Untitled-design-7-min-300x169.png)
exhibition
Richard Bedwash
June 8.2024 / August 25.2024
Explore the vivid, symbol-rich images of Anishinaabe artist Richard Bedwash that connects his work, his life, and the cultural landscapes of Guelph.
![layered smoothed rocks in earthy tones, some of which have a single gold line painted on it](https://artgalleryofguelph.ca/wp-content/uploads/2024/05/Untitled-design-47-Copy-300x169.jpg)
exhibition
May 30.2024 / July 10.2024
The work of Catherine Chan delves into human entanglements with the more-than-human using rocks and other materials of geology to explore the intersection of deep time with more fleeting experiences.
![children's toys and clothes arranged in a horizontal line along the ground in the desert](https://artgalleryofguelph.ca/wp-content/uploads/2024/04/what-remains-1x-300x169.png)
exhibition
May 2.2024 / August 30.2024
What Remains provides windows, peering into and out from an ongoing global humanitarian crisis, assembled into a multimedia and multidisciplinary experience.
![](https://artgalleryofguelph.ca/wp-content/uploads/2023/10/Kinngait-5MB-1-300x169.jpg)
exhibition
Tim Pitsiulak
January 18.2024 / May 19.2024
Tim Pitsiulak’s work offers profound insight into not just life in the North, but the ever-evolving impacts of colonization, particularly the effects of climate change and environmental exploitation.
![an embroidered rainbow and gold stars on a blue fabric background](https://artgalleryofguelph.ca/wp-content/uploads/2023/11/JD-Pluecker_The-Unsettlements_for-web-1-300x169.jpg)
exhibition
January 18.2024 / April 21.2024
The Unsettlements is a series of projects initiated by JD Pluecker in 2018 that delve into sites of memory, silence, and ancestry, particularly in Houston and across what is now called Texas
![an abstract landscape consisting of soft blurred streaks of blue, yellow, orange, and brown](https://artgalleryofguelph.ca/wp-content/uploads/2023/12/McKay-Odyssey-to-a-Mallard-Drake-2-300x169.jpg)
exhibition
December 23.2023 / April 21.2024
Drawing from the Art Gallery of Guelph’s permanent collection, this exhibition explores the use of abstraction by artists in their depictions of the natural world.