![A photograph of a farm cut into various sections with multiple patches of wheat growing. Alongside the farm is a long road with multiple vehicles.](https://artgalleryofguelph.ca/wp-content/uploads/2022/12/fieldwork-header.jpg)
Matthew Moore: Fieldwork
Fieldwork features the work of Arizona-based artist, farmer, and food activist Matthew Moore. Situated at the intersection of art and agriculture, Moore’s social practice engages issues related to land, food, and sustainability as means to deepen environmental knowledge while increasing consciousness of our relationship to the land and food production. Offering a poignant lens on the loss of farmland to urban growth, Moore has explained, “As a farmer and an artist, I display the realities of this transition in order to rationalize and document my displacement from the land on which I was raised. The trials and tribulations of American agriculture, its roles in contemporary globalization, and its continually debated ecological practices create a foundation for my explorations.”
Inserting the land back into public consciousness to recentre conversations about sustainable practices, his work blends documentary tactics, land-based installation, and community engagement, evoking the legacy of environmental practices and land art such as the work of Robert Smithson and Agnes Denes, as well as the lineage of interdisciplinary and participatory practices including Black Mountain College and the social sculpture of Joseph Beuys. Deftly maneuvering within these art histories, Moore’s work reimagines commitment to place in a global context, instilling the local with universal scope.
Currently participating in the LAND Studio program facilitated by the Art Gallery of Guelph and Musagetes, Moore has extended his work focused on the American southwest to explore urban growth and landscape transformation in this region, working with historical collections of maps and aerial survey photographs housed by the University of Guelph Library to mine rich archives of geographical and visual data amassed over decades of field research that underpinned 20th century land use decisions. Capturing the ongoing transposition of organic patterns and natural topographies to grids of surveyed parcels of land, and plans filled with concentric streets and culs-de-sac, Moore’s work offers a viscerally affecting visual materialization of the transformation of space.
Image detail: Matthew Moore, Rotations: Moore Estates #5, 2006, 35 acre project, sorghum, wheat, C-print, 61 × 76.2 cm
Gallery
About the artist
Matthew Moore
Based in Phoenix, Moore’s work involves a combination of social practice, large scale earthworks and built environments meant to instill new insight as well as social change. Recent exhibitions include solo projects and commissions for the Phoenix Art Museum, the Speed Museum, the Sundance Film Festival, the Walker Art Center, MassMoCA, the World Congress of Soil Science in Korea, and Nuit Blanche Toronto, and he has been featured in publications including Art Forum, Art in America, Art Lies, Metropolis, Dwell, and Architecture.
Moore’s work includes breathtaking projects focused on his family’s farm in the West Valley of Phoenix, such as the Rotations series, documenting a land-based installation that activates the scale of fields and the time-span of crops themselves to visually manifest change and the suburbanization of the West. Lifecycles, supported by Creative Capital and exhibited at the 2010 Sundance Film Festival, employs time-lapse photography to document time-based processes integral to agriculture, part of an international project to record plant growth that Moore founded – the Digital Farm Collective.
View More Exhibitions
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exhibition
September 12.2024 / December 15.2024
Juxtaposing Susan Mogul’s 1997 video with a collection of quillboxes, this exhibition unifies both forms of expression through themes of women’s identity, family, relationships, and the quest for home.
![a collage showing a coniferous tree in a hilly landscape, with an outline of an airplane in the blue sky, a red drawing of a tree attached to the tree trunk, and a framed painting of a farm in a valley in the bottom left corner](https://artgalleryofguelph.ca/wp-content/uploads/2024/06/nadeau-1x-300x169.jpg)
exhibition
Paul Nadeau
July 18.2024 / August 25.2024
Paul Nadeau’s paintings explore Canadian eco-tourism and resource extraction that contributes to the settler-colonial view of Canadian wilderness.
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exhibition
Richard Bedwash
June 8.2024 / August 25.2024
Explore the vivid, symbol-rich images of Anishinaabe artist Richard Bedwash that connects his work, his life, and the cultural landscapes of Guelph.
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exhibition
May 30.2024 / July 10.2024
The work of Catherine Chan delves into human entanglements with the more-than-human using rocks and other materials of geology to explore the intersection of deep time with more fleeting experiences.
![children's toys and clothes arranged in a horizontal line along the ground in the desert](https://artgalleryofguelph.ca/wp-content/uploads/2024/04/what-remains-1x-300x169.png)
exhibition
May 2.2024 / August 30.2024
What Remains provides windows, peering into and out from an ongoing global humanitarian crisis, assembled into a multimedia and multidisciplinary experience.
![](https://artgalleryofguelph.ca/wp-content/uploads/2023/10/Kinngait-5MB-1-300x169.jpg)
exhibition
Tim Pitsiulak
January 18.2024 / May 19.2024
Tim Pitsiulak’s work offers profound insight into not just life in the North, but the ever-evolving impacts of colonization, particularly the effects of climate change and environmental exploitation.
![an embroidered rainbow and gold stars on a blue fabric background](https://artgalleryofguelph.ca/wp-content/uploads/2023/11/JD-Pluecker_The-Unsettlements_for-web-1-300x169.jpg)
exhibition
January 18.2024 / April 21.2024
The Unsettlements is a series of projects initiated by JD Pluecker in 2018 that delve into sites of memory, silence, and ancestry, particularly in Houston and across what is now called Texas
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exhibition
December 23.2023 / April 21.2024
Drawing from the Art Gallery of Guelph’s permanent collection, this exhibition explores the use of abstraction by artists in their depictions of the natural world.