
Carmela Laganse: Spread
Sally Frater
Inspired by the rise in discourse related to both capitalism and vampirism that stemmed from the economic recession of 2008, artist Carmela Laganse constructed a collection of furniture that reference physical gestures such as arched backs and exposed necks that recurred throughout TV shows and films such as True Blood and the Twilight trilogy. Pointing to the relationship between capitalist ideology and visual culture, the objects are named after foodstuffs and other acts synonymous with eating, wryly highlighting the ways in which ravenous consumption and predation permeate all aspects of daily life – from entertainment to economic systems.
Constructing the furnishings from upholstery, ceramic and wood, the work is also informed by ideas of domesticity and intimacy. Exploring how our movement is directed and normalized by the everyday objects around us, Spread illustrates how both domestic and popular cultures not only impact our thinking and behavior but are metaphors for our collective anxieties and desires.
Image detail: Carmela Laganse, Grenadine, 2010, ceramic, textile, wood, metal, rubber, 38 x 14 x 64 in. Courtesy of the artist, photo by Denis Farley


Organized by the Art Gallery of Guelph with the support of the Ontario Arts Council and Canada Council for the Arts.
Gallery
About the artist
Carmela Laganse
Focusing on the agency and ideologies embedded in objects, Carmela Laganse explores the effects of colonialism and examines how it contributes to material culture as well as her own identity. Working in a variety of media, she often builds interactive work or portable, modular environments that playfully and critically integrate physical, emotional, ritualistic, and intellectual processes. Originally from Winnipeg, Manitoba, Laganse received an MFA from Ohio University and a BFA from the University of Manitoba in Winnipeg. She has exhibited nationally and internationally since 2005. Recent exhibitions include Hamilton Now, Object at the Art Gallery of Hamilton and Spread at the Thames Gallery in Chatham-Kent, ON. Laganse has taught art at various post-secondary institutions across Canada, teaching mainly in 3D and expanded practice. She currently lives in Hamilton and teaches in the School of the Arts at McMaster University.
View More Exhibitions

exhibition
May 22.2025 / August 29.2025
Call for Artists: Art Gallery of Guelph’s 2025 Summer Exhibition

exhibition
May 3.2025 / May 8.2025

exhibition
April 24.2025 / April 29.2025
Through photography, Bahar Enshaeian unravels the intricate layers of memory, identity, and belonging. Rooted in personal experience, her work speaks to the complexities of migration, displacement, and the search for home.

exhibition
April 10.2025 / April 15.2025
What utility can we find in vestiges of the past? This question shapes Hal Fortin’s interdisciplinary practice and its distinct sculptural language, punctuated by humour, dream logic, and the rhythms of domestic labour.

exhibition
April 2.2025 / April 6.2025
At the heart of Stephanie Fortin’s practice is an ethical inquiry: is it necessary—or responsible—to aestheticize waste in the context of global exploitation and climate change?

exhibition
Contemporary Indigenous Artists at AGG
January 16.2025 / May 4.2025

exhibition
September 12.2024 / January 5.2025
Eternal Transcendent highlights a selection of photographic works by Robert Flack that convey his reverence for the more-than-corporeal and a yearning for healing in light of the AIDS epidemic.

exhibition
September 12.2024 / May 4.2025
Juxtaposing Susan Mogul’s 1997 video with a collection of quillboxes, this exhibition unifies both forms of expression through themes of women’s identity, family, relationships, and the quest for home.