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Five molded sculptures of faces with cracked appearances piled randomly on top of each other
Curated by

Sally Frater

Insoon Ha’s compelling installations explore themes of power, colonialism, hybridity, and the abject. Working across several media, her work takes shape in visceral forms, producing scenes that probe and disturb. Her latest offering Dirge is no less impactful. The piece took root in periods of isolation during COVID pandemic lockdowns, during which Ha experienced the deaths of those close to her, including her father and friend artist Sylvie Bélanger, while also being deeply impacted by the discovery of mass graves at former residential schools in Canada. In response, the artist has created a sculptural installation that acknowledges the enormity of feelings of loss while offering a space for grief and mourning.

The installation consists of 100 large-scale heads fashioned from brown and gray recycled paper. Hung from the gallery ceiling in rows so that viewers can theoretically pass through them they appear to form a homogenous grid, yet closer inspection reveals that each head in the formation is distinct, bearing its own individual markings. Referencing the way that media reportage of mass death can render separate individuals as faceless hordes, Ha reminds us that each life lost is worthy of singular remembrance and honour.

Image detail: Insoon Ha, Dirge, 2022, mixed media installation, dimensions variable. Courtesy the artist.


Organized by the Art Gallery of Guelph with the support of the Canada Council for the Arts and the Ontario Arts Council.

About the artist

Insoon Ha

Born in Seoul, South Korea, and currently based in Toronto, Insoon Ha is a multidisciplinary artist who works in sculpture, installation, performance, photography, and video. Her work has been exhibited nationally and internationally at the Museum of Contemporary Canadian Art, Latitude 53, McMaster Museum of Art, the Albright-Knox Art Museum, Cepa Gallery, and the Whanki Museum, in Seoul, Korea. She holds both a BFA and MFA from the University of Seoul in Sculpture, and a second MFA from the State University of New York at Buffalo in Fine Arts. She has received numerous grants from Canada Council for the Arts, Ontario Arts Council, and Toronto Arts Council in support of her practice.

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